Above all we found the human voice to be a perfect jazz instrument and that the possibilities in sound, expression and interpretation were unlimited. We knew that there was still much to be done in the field we had chosen and so we decided to become real improvisers: to create music while singing. We resigned from lyrics, and began to scat. Texts are self-determining and make improvisation difficult, while we want our music to be spontaneous, fresh and full of improvising expression and rhythmic dynamism that belongs to afro-rooted music.
NOVI SINGERS
Rien ne va plus
Label: Polskie Nagrania - Muza , 1973/2005 Catalogue No: PNCD 1082 (SX 1009) Format: CD (24-bit re-mastered from original master tapes) Condition: GENUINE, BRAND NEW, MINT, FACTORY SEALED
Audio Clip:
The
Fool On The Hill (violin solo by Zbigniew Seifert)
Tracks:
1. Oh Woman [W. Parzynski - A. Wiecko]
2. The Look Of Love [B. Bacharach - H. David] 3. My Own Revolution [B. Kawka - A. Wiecko] 4. The Fool On The Hill [J. Lennon - P. McCarney] 5. Second Sight [B. Kawka] 6. Blue Moon [R. Rodgers - L. Hart] 7. Like A Dream In The Sky [B. Kawka - A. Wiecko] 8. Rien ne va plus [B. Kawka - A. Wiecko] 9. Canto Triste [E. Labo - Hall] 10. Introduction [Z. Namyslowski
Recorded:
June 1973, Warsaw, Poland
Performed by:
Novi Singers: Ewa Wanat, Bernard Kawka, Janusz Mych, Waldemar Parzynski -
vocal
The Big Band conducted by Jan "Ptaszyn" Wroblewski:
Zbigniew Seifert - violin soloist (track 10)
Stanislaw Mizerski, Tomasz Stanko, Tadeusz Szostak - trumpets
Stanislaw Cieslik - trombone
Zbigniew Namyslowski - alto sax
Janusz Muniak - alto and tenor sax
Waldemar Kurpinski - baritone sax
Wlodzimierz Nahorny - piano
Marek Blizinski - guitar
Wojciech Bruslik, Pawel Jarzebski - bass guitars
Janusz Stefanski, Kazimierz Jonkisz - drums
About:
Above all we found the human voice to be a perfect jazz instrument and that the possibilities in sound, expression and interpretation were unlimited. We knew that there was still much to be done in the field we had chosen and so we decided to become real improvisers: to create music while singing. We resigned from lyrics, and began to scat. Texts are self-determining and make improvisation difficult, while we want our music to be spontaneous, fresh and full of improvising expression and rhythmic dynamism that belongs to afro-rooted music. (Ewa Wanat - Jazz Forum 1/1971)
